Dinsic > Authors > Josep-Maria Ruera Pinart

Works by
Josep-Maria Ruera Pinart

Josep Maria Ruera i Pinart was born in Barcelona on August 2, 1900 and at age 9 he moved to Granollers, where he lived until his death on May 31, 1988. After a first phase as a student in Granollers in the Escuela Municipal de Música (Municipal Music School) of Barcelona and in the Lyceum Conservatory, the City Hall of Granollers awarded him a grant in 1917. He used it to study composition with Enric Morera and orchestration with Joan Baptista Lambert and Joan Lamonte de Grignon, with whom he kept in contact throughout his musical career and of whom he himself said: 'he was, musically speaking, like a real father to me'.

He was a violist with the Orquesta Pau Casals during the cycle of concerts of Primavera de Gran Teatro del Liceo in the year 1923. He conducted some instrumental and choir ensembles such as the Selección orchestra, the Schola Cantorum and the Orfeó Femení de Granollers. At the same time, he was director of the Escuela Municipal de Granollers (a school which bears his name today) and organist in the Iglesia Parroquial de San Esteban.

During his whole career as a composer, he earned several important awards and accolades. He won the first prize in the contest held by the group Joventut Hotelera de Barcelona because of the Universal Exposition event (1929). He also won the Premi Pau Casals, in the Jocs Florals de la Llengua Catalana held in Paris (1959) and the prize Ciudad de Barcelona (in the years 1970 and 1971).

Two things marked forever his musical career. The first being the debut - thanks to the council his maestro and friend Joan Lamote de Grignon had given him - of his work Tres Moviments Simfònics during the XIV Festival de la Sociedad Internacional de Música Contemporánea (SIMC) held in Barcelona in 1936. The second being the debut and later the recording of his four symphonic poems grouped under the title of Empúries. His work is divided in two different phases: one before and one after the Spanish Civil War. By looking at it, one can see a composer of the so-called Generación del 27, of the so-called 'menores'. This name is not because of the quality of his work, but because of the quantity and later influence of it, with his own style, a product of his love for the Catalan folklore and with very pronounced nationalist features ' all within the neo-romantic traditional tone context.

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Festive Touches (Sardana for Piano)

Format:

Score

Author:

Josep-Maria Ruera Pinart

Collection:

Músics d'aquí Nr. 1

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	For those who don&rsquo;t know PayPal, this system is one of the most efficient ways to make and receive international and &ndash; of course - national payments.<br />
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<br/>	Josep Maria Ruera i Pinart was born in Barcelona on August 2, 1900 and at age 9 he moved to Granollers, where he lived until his death on May 31, 1988. After a first phase as a student in Granollers in the Escuela Municipal de M&uacute;sica (Municipal Music School) of Barcelona and in the Lyceum Conservatory, the City Hall of Granollers awarded him a grant in 1917. He used it to study composition with Enric Morera and orchestration with Joan Baptista Lambert and Joan Lamonte de Grignon, with whom he kept in contact throughout his musical career and of whom he himself said: &#39;he was, musically speaking, like a real father to me&#39;.<br />
<br/>	He was a violist with the Orquesta Pau Casals during the cycle of concerts of Primavera de Gran Teatro del Liceo in the year 1923. He conducted some instrumental and choir ensembles such as the Selecci&oacute;n orchestra, the Schola Cantorum and the Orfe&oacute; Femen&iacute; de Granollers. At the same time, he was director of the Escuela Municipal de Granollers (a school which bears his name today) and organist in the Iglesia Parroquial de San Esteban.<br />
<br/>	During his whole career as a composer, he earned several important awards and accolades. He won the first prize in the contest held by the group Joventut Hotelera de Barcelona because of the Universal Exposition event (1929). He also won the Premi Pau Casals, in the Jocs Florals de la Llengua Catalana held in Paris (1959) and the prize Ciudad de Barcelona (in the years 1970 and 1971).<br />
<br/>	Two things marked forever his musical career. The first being the debut - thanks to the council his maestro and friend Joan Lamote de Grignon had given him - of his work Tres Moviments Simf&ograve;nics during the XIV Festival de la Sociedad Internacional de M&uacute;sica Contempor&aacute;nea (SIMC) held in Barcelona in 1936. The second being the debut and later the recording of his four symphonic poems grouped under the title of Emp&uacute;ries. His work is divided in two different phases: one before and one after the Spanish Civil War. By looking at it, one can see a composer of the so-called Generaci&oacute;n del 27, of the so-called &#39;menores&#39;. This name is not because of the quality of his work, but because of the quantity and later influence of it, with his own style, a product of his love for the Catalan folklore and with very pronounced nationalist features &#39; all within the neo-romantic traditional tone context.</div>
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$title_section	=	"Works by<br/>Josep-Maria Ruera Pinart"
$description	=	"Works byJosep-Maria Ruera Pinart  	Josep Maria Ruera i Pinart was born in Barcelona on August 2, 1900 and at age 9 he moved to Granollers, where he lived until his death on May 31, 1988. After a first phase as a student in Granollers in the Escuela Municipal de M&uacute;sica (Municipal Music School) of Barcelona and in the Lyceum Conservatory, the City Hall of Granollers awarded him a grant in 1917. He used it to study composition with Enric Morera and orchestration with Joan Baptista Lambert and Joan Lamonte de Grignon, with whom he kept in contact throughout his musical career and of whom he himself said: &#39;he was, musically speaking, like a real father to me&#39;. 	He was a violist with the Orquesta Pau Casals during the cycle of concerts of Primavera de Gran Teatro del Liceo in the year 1923. He conducted some instrumental and choir ensembles such as the Selecci&oacute;n orchestra, the Schola Cantorum and the Orfe&oacute; Femen&iacute; de Granollers. At the same time, he was director of the Escuela Municipal de Granollers (a school which bears his name today) and organist in the Iglesia Parroquial de San Esteban. 	During his whole career as a composer, he earned several important awards and accolades. He won the first prize in the contest held by the group Joventut Hotelera de Barcelona because of the Universal Exposition event (1929). He also won the Premi Pau Casals, in the Jocs Florals de la Llengua Catalana held in Paris (1959) and the prize Ciudad de Barcelona (in the years 1970 and 1971). 	Two things marked forever his musical career. The first being the debut - thanks to the council his maestro and friend Joan Lamote de Grignon had given him - of his work Tres Moviments Simf&ograve;nics during the XIV Festival de la Sociedad Internacional de M&uacute;sica Contempor&aacute;nea (SIMC) held in Barcelona in 1936. The second being the debut and later the recording of his four symphonic poems grouped under the title of Emp&uacute;ries. His work is divided in two different phases: one before and one after the Spanish Civil War. By looking at it, one can see a composer of the so-called Generaci&oacute;n del 27, of the so-called &#39;menores&#39;. This name is not because of the quality of his work, but because of the quantity and later influence of it, with his own style, a product of his love for the Catalan folklore and with very pronounced nationalist features &#39; all within the neo-romantic traditional tone context."
$keywords	=	"Festive Touches (Sardana for Piano)"
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FormHelper::$Html = HtmlHelper object
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LibraryHelper::$Javascript = JavascriptHelper object
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                                <?php else: ?>

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include - APP/views/elements/lateral.ctp, line 145
View::_render() - CORE/cake/libs/view/view.php, line 665
View::element() - CORE/cake/libs/view/view.php, line 342
include - APP/views/layouts/default.ctp, line 493
View::_render() - CORE/cake/libs/view/view.php, line 665
View::renderLayout() - CORE/cake/libs/view/view.php, line 453
View::render() - CORE/cake/libs/view/view.php, line 387
Controller::render() - CORE/cake/libs/controller/controller.php, line 805
AutorsController::display() - APP/controllers/autors_controller.php, line 565
Object::dispatchMethod() - CORE/cake/libs/object.php, line 119
Dispatcher::_invoke() - CORE/cake/dispatcher.php, line 225
Dispatcher::dispatch() - CORE/cake/dispatcher.php, line 192
[main] - APP/webroot/index.php, line 88

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DINSIC Publicacions Musicals, S.L.
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