Works by
Manuel Oltra

Down to his retirement in 1987, he taught harmony, counterpoint and form at the Barcelona Music School, he also having given classes at the Spanish-Moroccan Music School in Tetuan and in the Institut de Rítmica Joan Llongueres.

He directed a number of artistic and traditional groups, and is much sought after for giving courses and master classes on various aspects of the practice and the teaching of music.

His output as a composer is extensive and varied, including nearly every genre: lieder, chamber music, choral works with instrumental accompaniment or a cappella, symphonic works and numerous arrangements of traditional music for various ensembles.

He won the composition award in the Autonomous Government of Catalonia's National Music Prize, and the music award in the National Prize for Folk and Traditional Culture.

The Author

Manuel Oltra i Ferrer was born in Valencia in 1922, though his family moved to Barcelona that same year. He taught harmony, counterpoint and musical form at the Barcelona music school from 1959 to 1987, he also having held the post of vice-director there (1973-1981). Manuel Oltra's teaching work there has left a deep impression on a whole generation of musicians, among whom are some of the most representative figures of the present-day musical world.

Alongside that academic work, his professional work was strongly bound up with the worlds of choral singing and the traditional song-and-dance esbarts, his extensive knowledge of music in general having taken him into practically every musical genre: chamber music, orchestral music, 'a capella' choral works, choral-symphonic music etc. It is thus from this wide-ranging musical perspective that he came to the music of our land in its most characteristic soundscape ' the cobla band ' and in its most genuine expression ' the sardana.

Manuel Oltra is regarded as having carried on the work of the classic figures of cobla music: the likes of Eduard Toldrà, Ricard Lamote de Grignon and in particular Joanquim Serra, with whom he shared interesting musical experiences in his youth, became beacon figures, revered as masters. His musical output in general is characterised by balanced proportions in every sense, whether in the creation of unusual structures or in developing pre-established forms. The balance between unity and variety and between moments of tension and of relaxation, and the quest for reaching the climax at the most appropriate time (the golden section or proportion) are some of the elements frequently cited by Manuel Oltra in talking about music in general and his own in particular, in which the treatment of the instruments tends to have a certain chamber-music quality: according to him, economy of means in instrumental writing offers him greater possibilities as regards combining different timbres. His harmonies often have a certain post-impressionist flavour: the tonal explorations along with the modal nature thriving in many of his ideas or musical phrases sometimes lead to curious harmonic symbioses.

Manuel Oltra's output for cobla band comprises, in addition his harmonisations of a hundred-odd traditional Catalan ballets, a dozen long concert works, varying in form, length and orchestration, and a catalogue of sardanas that now stands at 36 works. His constant probing has led to bold and apposite experiments in timbre ' he was the first composer to combine the cobla band with instruments not associated with the traditional ensemble ' and to successful rhythmic speculations.

Jordi León

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La gata i el belitre

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Acuitacantar 6: El timbaler del bruc i Al ball, sense un badall

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<br/>	Down to his retirement in 1987, he taught harmony, counterpoint and form at the Barcelona Music School, he also having given classes at the Spanish-Moroccan Music School in Tetuan and in the Institut de R&iacute;tmica Joan Llongueres.<br />
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<br/>	He won the composition award in the Autonomous Government of Catalonia&#39;s National Music Prize, and the music award in the National Prize for Folk and Traditional Culture.<br />
<br/>	The Author<br />
<br/>	Manuel Oltra i Ferrer was born in Valencia in 1922, though his family moved to Barcelona that same year. He taught harmony, counterpoint and musical form at the Barcelona music school from 1959 to 1987, he also having held the post of vice-director there (1973-1981). Manuel Oltra&#39;s teaching work there has left a deep impression on a whole generation of musicians, among whom are some of the most representative figures of the present-day musical world.<br />
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<br/>	Manuel Oltra is regarded as having carried on the work of the classic figures of cobla music: the likes of Eduard Toldr&agrave;, Ricard Lamote de Grignon and in particular Joanquim Serra, with whom he shared interesting musical experiences in his youth, became beacon figures, revered as masters. His musical output in general is characterised by balanced proportions in every sense, whether in the creation of unusual structures or in developing pre-established forms. The balance between unity and variety and between moments of tension and of relaxation, and the quest for reaching the climax at the most appropriate time (the golden section or proportion) are some of the elements frequently cited by Manuel Oltra in talking about music in general and his own in particular, in which the treatment of the instruments tends to have a certain chamber-music quality: according to him, economy of means in instrumental writing offers him greater possibilities as regards combining different timbres. His harmonies often have a certain post-impressionist flavour: the tonal explorations along with the modal nature thriving in many of his ideas or musical phrases sometimes lead to curious harmonic symbioses.<br />
<br/>	Manuel Oltra&#39;s output for cobla band comprises, in addition his harmonisations of a hundred-odd traditional Catalan ballets, a dozen long concert works, varying in form, length and orchestration, and a catalogue of sardanas that now stands at 36 works. His constant probing has led to bold and apposite experiments in timbre &#39; he was the first composer to combine the cobla band with instruments not associated with the traditional ensemble &#39; and to successful rhythmic speculations.<br />
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	Located in the very heart of the old town of Barcelona, DINSIC Publicacions Musicals, SL was found in 1988 by Francesca Galofr&eacute; Mora as a response to her great pedagogical vocation and with the aim of disseminating knowledge and musical production.<br />
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<br/>	Down to his retirement in 1987, he taught harmony, counterpoint and form at the Barcelona Music School, he also having given classes at the Spanish-Moroccan Music School in Tetuan and in the Institut de R&iacute;tmica Joan Llongueres.<br />
<br/>	He directed a number of artistic and traditional groups, and is much sought after for giving courses and master classes on various aspects of the practice and the teaching of music.<br />
<br/>	His output as a composer is extensive and varied, including nearly every genre: lieder, chamber music, choral works with instrumental accompaniment or a cappella, symphonic works and numerous arrangements of traditional music for various ensembles.<br />
<br/>	He won the composition award in the Autonomous Government of Catalonia&#39;s National Music Prize, and the music award in the National Prize for Folk and Traditional Culture.<br />
<br/>	The Author<br />
<br/>	Manuel Oltra i Ferrer was born in Valencia in 1922, though his family moved to Barcelona that same year. He taught harmony, counterpoint and musical form at the Barcelona music school from 1959 to 1987, he also having held the post of vice-director there (1973-1981). Manuel Oltra&#39;s teaching work there has left a deep impression on a whole generation of musicians, among whom are some of the most representative figures of the present-day musical world.<br />
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<br/>	Manuel Oltra is regarded as having carried on the work of the classic figures of cobla music: the likes of Eduard Toldr&agrave;, Ricard Lamote de Grignon and in particular Joanquim Serra, with whom he shared interesting musical experiences in his youth, became beacon figures, revered as masters. His musical output in general is characterised by balanced proportions in every sense, whether in the creation of unusual structures or in developing pre-established forms. The balance between unity and variety and between moments of tension and of relaxation, and the quest for reaching the climax at the most appropriate time (the golden section or proportion) are some of the elements frequently cited by Manuel Oltra in talking about music in general and his own in particular, in which the treatment of the instruments tends to have a certain chamber-music quality: according to him, economy of means in instrumental writing offers him greater possibilities as regards combining different timbres. His harmonies often have a certain post-impressionist flavour: the tonal explorations along with the modal nature thriving in many of his ideas or musical phrases sometimes lead to curious harmonic symbioses.<br />
<br/>	Manuel Oltra&#39;s output for cobla band comprises, in addition his harmonisations of a hundred-odd traditional Catalan ballets, a dozen long concert works, varying in form, length and orchestration, and a catalogue of sardanas that now stands at 36 works. His constant probing has led to bold and apposite experiments in timbre &#39; he was the first composer to combine the cobla band with instruments not associated with the traditional ensemble &#39; and to successful rhythmic speculations.<br />
<br/>	Jordi Le&oacute;n</div>
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$description	=	"Works byManuel Oltra   	Down to his retirement in 1987, he taught harmony, counterpoint and form at the Barcelona Music School, he also having given classes at the Spanish-Moroccan Music School in Tetuan and in the Institut de R&iacute;tmica Joan Llongueres. 	He directed a number of artistic and traditional groups, and is much sought after for giving courses and master classes on various aspects of the practice and the teaching of music. 	His output as a composer is extensive and varied, including nearly every genre: lieder, chamber music, choral works with instrumental accompaniment or a cappella, symphonic works and numerous arrangements of traditional music for various ensembles. 	He won the composition award in the Autonomous Government of Catalonia&#39;s National Music Prize, and the music award in the National Prize for Folk and Traditional Culture. 	The Author 	Manuel Oltra i Ferrer was born in Valencia in 1922, though his family moved to Barcelona that same year. He taught harmony, counterpoint and musical form at the Barcelona music school from 1959 to 1987, he also having held the post of vice-director there (1973-1981). Manuel Oltra&#39;s teaching work there has left a deep impression on a whole generation of musicians, among whom are some of the most representative figures of the present-day musical world. 	Alongside that academic work, his professional work was strongly bound up with the worlds of choral singing and the traditional song-and-dance esbarts, his extensive knowledge of music in general having taken him into practically every musical genre: chamber music, orchestral music, &#39;a capella&#39; choral works, choral-symphonic music etc. It is thus from this wide-ranging musical perspective that he came to the music of our land in its most characteristic soundscape &#39; the cobla band &#39; and in its most genuine expression &#39; the sardana. 	Manuel Oltra is regarded as having carried on the work of the classic figures of cobla music: the likes of Eduard Toldr&agrave;, Ricard Lamote de Grignon and in particular Joanquim Serra, with whom he shared interesting musical experiences in his youth, became beacon figures, revered as masters. His musical output in general is characterised by balanced proportions in every sense, whether in the creation of unusual structures or in developing pre-established forms. The balance between unity and variety and between moments of tension and of relaxation, and the quest for reaching the climax at the most appropriate time (the golden section or proportion) are some of the elements frequently cited by Manuel Oltra in talking about music in general and his own in particular, in which the treatment of the instruments tends to have a certain chamber-music quality: according to him, economy of means in instrumental writing offers him greater possibilities as regards combining different timbres. His harmonies often have a certain post-impressionist flavour: the tonal explorations along with the modal nature thriving in many of his ideas or musical phrases sometimes lead to curious harmonic symbioses. 	Manuel Oltra&#39;s output for cobla band comprises, in addition his harmonisations of a hundred-odd traditional Catalan ballets, a dozen long concert works, varying in form, length and orchestration, and a catalogue of sardanas that now stands at 36 works. His constant probing has led to bold and apposite experiments in timbre &#39; he was the first composer to combine the cobla band with instruments not associated with the traditional ensemble &#39; and to successful rhythmic speculations. 	Jordi Le&oacute;n"
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FormHelper::$params = array
FormHelper::$action = "display"
FormHelper::$plugin = NULL
FormHelper::$data = NULL
FormHelper::$namedArgs = NULL
FormHelper::$argSeparator = NULL
FormHelper::$validationErrors = NULL
FormHelper::$tags = array
FormHelper::$__tainted = NULL
FormHelper::$__cleaned = NULL
FormHelper::$_log = NULL
FormHelper::$Html = HtmlHelper object
$text	=	"Manuel Oltra "
$search	=	SearchHelper
SearchHelper::$helpers = array
SearchHelper::$base = ""
SearchHelper::$webroot = "/"
SearchHelper::$themeWeb = NULL
SearchHelper::$here = "/en/autor/manuel_oltra"
SearchHelper::$params = array
SearchHelper::$action = "display"
SearchHelper::$plugin = NULL
SearchHelper::$data = NULL
SearchHelper::$namedArgs = NULL
SearchHelper::$argSeparator = NULL
SearchHelper::$validationErrors = NULL
SearchHelper::$tags = array
SearchHelper::$__tainted = NULL
SearchHelper::$__cleaned = NULL
SearchHelper::$_log = NULL
SearchHelper::$Html = HtmlHelper object
SearchHelper::$Javascript = JavascriptHelper object
$javascript	=	JavascriptHelper
JavascriptHelper::$useNative = true
JavascriptHelper::$enabled = true
JavascriptHelper::$safe = false
JavascriptHelper::$tags = array
JavascriptHelper::$_blockOptions = array
JavascriptHelper::$_cachedEvents = array
JavascriptHelper::$_cacheEvents = false
JavascriptHelper::$_cacheToFile = false
JavascriptHelper::$_cacheAll = false
JavascriptHelper::$_rules = array
JavascriptHelper::$__scriptBuffer = NULL
JavascriptHelper::$helpers = NULL
JavascriptHelper::$base = ""
JavascriptHelper::$webroot = "/"
JavascriptHelper::$themeWeb = NULL
JavascriptHelper::$here = "/en/autor/manuel_oltra"
JavascriptHelper::$params = array
JavascriptHelper::$action = "display"
JavascriptHelper::$plugin = NULL
JavascriptHelper::$data = NULL
JavascriptHelper::$namedArgs = NULL
JavascriptHelper::$argSeparator = NULL
JavascriptHelper::$validationErrors = NULL
JavascriptHelper::$__tainted = NULL
JavascriptHelper::$__cleaned = NULL
JavascriptHelper::$_log = NULL
$library	=	LibraryHelper
LibraryHelper::$helpers = array
LibraryHelper::$base = ""
LibraryHelper::$webroot = "/"
LibraryHelper::$themeWeb = NULL
LibraryHelper::$here = "/en/autor/manuel_oltra"
LibraryHelper::$params = array
LibraryHelper::$action = "display"
LibraryHelper::$plugin = NULL
LibraryHelper::$data = NULL
LibraryHelper::$namedArgs = NULL
LibraryHelper::$argSeparator = NULL
LibraryHelper::$validationErrors = NULL
LibraryHelper::$tags = array
LibraryHelper::$__tainted = NULL
LibraryHelper::$__cleaned = NULL
LibraryHelper::$_log = NULL
LibraryHelper::$Html = HtmlHelper object
LibraryHelper::$Javascript = JavascriptHelper object
$session	=	SessionHelper
SessionHelper::$helpers = NULL
SessionHelper::$__active = true
SessionHelper::$valid = false
SessionHelper::$error = false
SessionHelper::$_userAgent = "036f901e01620c7bbaed0584c4ad4dc1"
SessionHelper::$path = "/"
SessionHelper::$lastError = NULL
SessionHelper::$security = "medium"
SessionHelper::$time = 1734050819
SessionHelper::$sessionTime = 1734072819
SessionHelper::$watchKeys = array
SessionHelper::$id = NULL
SessionHelper::$_started = true
SessionHelper::$host = NULL
SessionHelper::$_log = NULL
SessionHelper::$cookieLifeTime = 604800
SessionHelper::$base = ""
SessionHelper::$webroot = "/"
SessionHelper::$here = "/en/autor/manuel_oltra"
SessionHelper::$params = array
SessionHelper::$action = "display"
SessionHelper::$data = NULL
SessionHelper::$themeWeb = NULL
SessionHelper::$plugin = NULL
$paginator	=	PaginatorHelper
PaginatorHelper::$helpers = array
PaginatorHelper::$__defaultModel = "Publicacion"
PaginatorHelper::$options = array
PaginatorHelper::$base = ""
PaginatorHelper::$webroot = "/"
PaginatorHelper::$themeWeb = NULL
PaginatorHelper::$here = "/en/autor/manuel_oltra"
PaginatorHelper::$params = array
PaginatorHelper::$action = "display"
PaginatorHelper::$plugin = NULL
PaginatorHelper::$data = NULL
PaginatorHelper::$namedArgs = NULL
PaginatorHelper::$argSeparator = NULL
PaginatorHelper::$validationErrors = NULL
PaginatorHelper::$tags = array
PaginatorHelper::$__tainted = NULL
PaginatorHelper::$__cleaned = NULL
PaginatorHelper::$_log = NULL
PaginatorHelper::$Html = HtmlHelper object
PaginatorHelper::$Ajax = AjaxHelper object
$ajax	=	AjaxHelper
AjaxHelper::$helpers = array
AjaxHelper::$Html = HtmlHelper object
AjaxHelper::$Javascript = JavascriptHelper object
AjaxHelper::$callbacks = array
AjaxHelper::$ajaxOptions = array
AjaxHelper::$dragOptions = array
AjaxHelper::$dropOptions = array
AjaxHelper::$sortOptions = array
AjaxHelper::$sliderOptions = array
AjaxHelper::$editorOptions = array
AjaxHelper::$autoCompleteOptions = array
AjaxHelper::$__ajaxBuffer = array
AjaxHelper::$base = ""
AjaxHelper::$webroot = "/"
AjaxHelper::$themeWeb = NULL
AjaxHelper::$here = "/en/autor/manuel_oltra"
AjaxHelper::$params = array
AjaxHelper::$action = "display"
AjaxHelper::$plugin = NULL
AjaxHelper::$data = NULL
AjaxHelper::$namedArgs = NULL
AjaxHelper::$argSeparator = NULL
AjaxHelper::$validationErrors = NULL
AjaxHelper::$tags = array
AjaxHelper::$__tainted = NULL
AjaxHelper::$__cleaned = NULL
AjaxHelper::$_log = NULL
AjaxHelper::$Form = FormHelper object
$i	=	0
$cat	=	array(
	"Category" => array(
	"id" => "78",
	"url" => "scores",
	"name" => "Scores",
	"parent_id" => null,
	"descripcio" => "<div>
	Our products are organized into the seven general categories below. Each of these areas are divided according either to educational level, difficulty or type of ensemble.</div>
",
	"order" => "7",
	"lft" => "1",
	"rght" => "8",
	"published" => "1",
	"locale" => "en_gb"
),
	"Categories" => array(
	array(),
	array(),
	array()
)
)
$subcat	=	array(
	"Category" => array(
	"id" => "89",
	"url" => "intermediate",
	"name" => "Intermediate",
	"parent_id" => "78",
	"descripcio" => "",
	"order" => "1",
	"lft" => "4",
	"rght" => "5",
	"published" => "1",
	"locale" => "en_gb"
)
)

                                    <?php echo $form->input('five_level',array('id'=>'instruments_level2','div'=>false,'label'=>false,'type'=>'select','options'=>$five_level_set,'selected'=>$instrument_level_set_selected)); ?>

                                <?php else: ?>

                                    <?php echo $form->input('five_level',array('id'=>'instruments_level2','div'=>false,'label'=>false,'type'=>'select','options'=>$five_level_set)); ?>

include - APP/views/elements/lateral.ctp, line 145
View::_render() - CORE/cake/libs/view/view.php, line 665
View::element() - CORE/cake/libs/view/view.php, line 342
include - APP/views/layouts/default.ctp, line 493
View::_render() - CORE/cake/libs/view/view.php, line 665
View::renderLayout() - CORE/cake/libs/view/view.php, line 453
View::render() - CORE/cake/libs/view/view.php, line 387
Controller::render() - CORE/cake/libs/controller/controller.php, line 805
AutorsController::display() - APP/controllers/autors_controller.php, line 565
Object::dispatchMethod() - CORE/cake/libs/object.php, line 119
Dispatcher::_invoke() - CORE/cake/dispatcher.php, line 225
Dispatcher::dispatch() - CORE/cake/dispatcher.php, line 192
[main] - APP/webroot/index.php, line 88

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