Works by
Narcís Bonet

He was born in Barcelona, on January 22, 1933. His first music studies were under the supervision of Joan Massià (piano with Maria Carbonell), Joan Llongueres and Eduard Toldrà, who signed his presentation to the public in the Palau de la Música Catalana at the age of 13 as a composer and pianist. Later, he worked with Joaquim Zamacois, Emili Pujol and Lluís Maria Millet. In 1949, he became a disciple of Nadia Boulanger in Paris, and later, of Igor Markevitch.

His extensive musical career has been defined in multiple facets: Composition (first prize of the National Conservatory of Paris), orchestra conductor, animation, divulgence and musical management and most especially, teaching. We also cannot forget his role in the service of the Catalan culture through the Agrupació Dramàtica of Barcelona, as a secretary of the Òmnium Cultural of Paris, producer of the Paris broadcasts, home of the Catalan culture (Paris, hotbed of the Catalan culture) of the French radio broadcasting and, lastly, as president of the Casal de Catalunya in Paris. Narcís Bonet was awarded different prizes of composition (Copley Foundation of Chicago, March Foundations, Prince Rainier III of Monaco) and he received a large number of orders (America-Spain Festival, RTVE, Dotació d'Art Castellblanch, Ensemble Moderne of Paris, Seville and Granada Festivals, Chopin Festival of Paris, etc.).

The positions he held include, but are not limited to: the president of the Joventuts Musicals de Barcelona (Musical Youth Groups of Barcelona, member of the Bureau and president of the Federació Internacional de Joventuts Musicals (International Federation of Musical Youth Groups, representative of the International Music Counsel of the UNESCO, producer of the musical programs of the French Radio broadcasts in the Spanish language, technical secretary of the Orquesta y Coros (Orchestra and Choirs) of RTVE, musical counselor of the Dotación de Arte of Castellblanch, jury member of piano and composition international contests. Starting in 1971, he developed a great pedagogic activity in different schools: the Municipal Conservatory of Paris, the National Music School of Créteil, the Normal Music School of Paris (where he became adjunct director) and the American Conservatory of Fontainebleau (where he took the place of Nadia Boulanger in Direction).

He was author of a Tractat de Solfeig (Solmization Treatise) and collaborated with Igor Markevitch in the encyclopedic edition of the nine Symphonies by Beethoven (Van de Velde Editions). He was a member of the Consell Musical (Musical Council) of the Prince Pierre of Monaco Foundation, Commandeur dans l'Ordre du Mérite Culturel and Commandeur de l'Ordre de Saint-Charles of Monaco, member of the Nadia and Lili Boulanger International Council Foundation, director of the Normal Music School Association of Paris (where he also practiced his pedagogic activities) and also director of the Schola Cantorum of Paris. Member of the Academia Catalana de Belles Arts de Sant Jordi, the

Catalan Government awarded him the Creu de Sant Jordi.

See CV >>

15. Comença la tardor

Format:

Publication with downloadable files

Author:

Narcís Bonet

Collection:

Songs by Narcís Bonet Nr. 15

24.00 € VAT included

14. Cinc vocalitzacions sobre J. S. Bach

Format:

Score

Author:

Johann Sebastian Bach

Collection:

Songs by Narcís Bonet Nr. 14

17.00 € VAT included

13. Tres melodies sobre Diego Sabiote

Format:

Publication with downloadable files

Author:

Narcís Bonet

Collection:

Songs by Narcís Bonet Nr. 13

17.00 € VAT included

12. Quatre mélodies françaises

Format:

Publication with downloadable files

Author:

Narcís Bonet

Collection:

Songs by Narcís Bonet Nr. 12

19.00 € VAT included

11. Sis melodies de joventut

Format:

Publication with downloadable files

Author:

Narcís Bonet

Collection:

Songs by Narcís Bonet Nr. 11

19.00 € VAT included

10. Sis melodies

Format:

Publication with downloadable files

Author:

Narcís Bonet

Collection:

Songs by Narcís Bonet Nr. 10

21.00 € VAT included

9. Vuit cançons de Nadal

Format:

Publication with downloadable files

Author:

Narcís Bonet

Collection:

Songs by Narcís Bonet Nr. 9, Christmas Nr. 15

21.00 € VAT included

1 2 3 4 5 6 7 8 9 Next >> Last >>

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<br/>	He was born in Barcelona, on January 22, 1933. His first music studies were under the&nbsp;supervision of Joan Massi&agrave; (piano with Maria Carbonell), Joan Llongueres and Eduard&nbsp;Toldr&agrave;, who signed his presentation to the public in the Palau de la M&uacute;sica Catalana at&nbsp;the age of 13 as a composer and pianist. Later, he worked with Joaquim Zamacois,&nbsp;Emili Pujol and Llu&iacute;s Maria Millet. In 1949, he became a disciple of Nadia Boulanger in&nbsp;Paris, and later, of Igor Markevitch.<br />
<br/>	His extensive musical career has been defined in multiple facets:&nbsp;Composition (first prize of the National Conservatory of Paris), orchestra conductor,&nbsp;animation, divulgence and musical management and most especially, teaching. We&nbsp;also cannot forget his role in the service of the Catalan culture through the Agrupaci&oacute;&nbsp;Dram&agrave;tica of Barcelona, as a secretary of the &Ograve;mnium Cultural of Paris, producer of the&nbsp;Paris broadcasts, home of the Catalan culture (Paris, hotbed of the Catalan culture) of&nbsp;the French radio broadcasting and, lastly, as president of the Casal de Catalunya in&nbsp;Paris.&nbsp;Narc&iacute;s Bonet was awarded different prizes of composition (Copley Foundation of&nbsp;Chicago, March Foundations, Prince Rainier III of Monaco) and he received a large&nbsp;number of orders (America-Spain Festival, RTVE, Dotaci&oacute; d&amp;#39;Art Castellblanch,&nbsp;Ensemble Moderne of Paris, Seville and Granada Festivals, Chopin Festival of Paris,&nbsp;etc.).</div>
<br/><div>
<br/>	<br />
<br/>	The positions he held include, but are not limited to: the president of the Joventuts&nbsp;Musicals de Barcelona (Musical Youth Groups of Barcelona, member of the Bureau and&nbsp;president of the Federaci&oacute; Internacional de Joventuts Musicals (International Federation&nbsp;of Musical Youth Groups, representative of the International Music Counsel of the&nbsp;UNESCO, producer of the musical programs of the French Radio broadcasts in the&nbsp;Spanish language, technical secretary of the Orquesta y Coros (Orchestra and Choirs)&nbsp;of RTVE, musical counselor of the Dotaci&oacute;n de Arte of Castellblanch, jury member of&nbsp;piano and composition international contests.&nbsp;Starting in 1971, he developed a great pedagogic activity in different schools: the&nbsp;Municipal Conservatory of Paris, the National Music School of Cr&eacute;teil, the Normal Music&nbsp;School of Paris (where he became adjunct director) and the American Conservatory of&nbsp;Fontainebleau (where he took the place of Nadia Boulanger in Direction).<br />
<br/>	<br />
<br/>	He was author of a Tractat de Solfeig (Solmization Treatise) and collaborated with Igor&nbsp;Markevitch in the encyclopedic edition of the nine Symphonies by Beethoven (Van de&nbsp;Velde Editions).&nbsp;He was a member of the Consell Musical (Musical Council) of the Prince Pierre of&nbsp;Monaco Foundation, Commandeur dans l&amp;#39;Ordre du M&eacute;rite Culturel and Commandeur&nbsp;de l&#39;Ordre de Saint-Charles of Monaco, member of the Nadia and Lili Boulanger&nbsp; International Council Foundation, director of the Normal Music School Association of&nbsp;Paris (where he also practiced his pedagogic activities) and also director of the Schola&nbsp;Cantorum of Paris. Member of the Academia Catalana de Belles Arts de Sant Jordi, the<br />
<br/>	Catalan Government awarded him the Creu de Sant Jordi.</div>
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	"title_section" => "Works by<br/>Narcís Bonet ",
	"description" => "Works byNarcís Bonet   	He was born in Barcelona, on January 22, 1933. His first music studies were under the&nbsp;supervision of Joan Massi&agrave; (piano with Maria Carbonell), Joan Llongueres and Eduard&nbsp;Toldr&agrave;, who signed his presentation to the public in the Palau de la M&uacute;sica Catalana at&nbsp;the age of 13 as a composer and pianist. Later, he worked with Joaquim Zamacois,&nbsp;Emili Pujol and Llu&iacute;s Maria Millet. In 1949, he became a disciple of Nadia Boulanger in&nbsp;Paris, and later, of Igor Markevitch. 	His extensive musical career has been defined in multiple facets:&nbsp;Composition (first prize of the National Conservatory of Paris), orchestra conductor,&nbsp;animation, divulgence and musical management and most especially, teaching. We&nbsp;also cannot forget his role in the service of the Catalan culture through the Agrupaci&oacute;&nbsp;Dram&agrave;tica of Barcelona, as a secretary of the &Ograve;mnium Cultural of Paris, producer of the&nbsp;Paris broadcasts, home of the Catalan culture (Paris, hotbed of the Catalan culture) of&nbsp;the French radio broadcasting and, lastly, as president of the Casal de Catalunya in&nbsp;Paris.&nbsp;Narc&iacute;s Bonet was awarded different prizes of composition (Copley Foundation of&nbsp;Chicago, March Foundations, Prince Rainier III of Monaco) and he received a large&nbsp;number of orders (America-Spain Festival, RTVE, Dotaci&oacute; d&amp;#39;Art Castellblanch,&nbsp;Ensemble Moderne of Paris, Seville and Granada Festivals, Chopin Festival of Paris,&nbsp;etc.).  	 	The positions he held include, but are not limited to: the president of the Joventuts&nbsp;Musicals de Barcelona (Musical Youth Groups of Barcelona, member of the Bureau and&nbsp;president of the Federaci&oacute; Internacional de Joventuts Musicals (International Federation&nbsp;of Musical Youth Groups, representative of the International Music Counsel of the&nbsp;UNESCO, producer of the musical programs of the French Radio broadcasts in the&nbsp;Spanish language, technical secretary of the Orquesta y Coros (Orchestra and Choirs)&nbsp;of RTVE, musical counselor of the Dotaci&oacute;n de Arte of Castellblanch, jury member of&nbsp;piano and composition international contests.&nbsp;Starting in 1971, he developed a great pedagogic activity in different schools: the&nbsp;Municipal Conservatory of Paris, the National Music School of Cr&eacute;teil, the Normal Music&nbsp;School of Paris (where he became adjunct director) and the American Conservatory of&nbsp;Fontainebleau (where he took the place of Nadia Boulanger in Direction). 	 	He was author of a Tractat de Solfeig (Solmization Treatise) and collaborated with Igor&nbsp;Markevitch in the encyclopedic edition of the nine Symphonies by Beethoven (Van de&nbsp;Velde Editions).&nbsp;He was a member of the Consell Musical (Musical Council) of the Prince Pierre of&nbsp;Monaco Foundation, Commandeur dans l&amp;#39;Ordre du M&eacute;rite Culturel and Commandeur&nbsp;de l&#39;Ordre de Saint-Charles of Monaco, member of the Nadia and Lili Boulanger&nbsp; International Council Foundation, director of the Normal Music School Association of&nbsp;Paris (where he also practiced his pedagogic activities) and also director of the Schola&nbsp;Cantorum of Paris. Member of the Academia Catalana de Belles Arts de Sant Jordi, the 	Catalan Government awarded him the Creu de Sant Jordi.",
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Quatre mil anys hi havia, Alabem primerament, El bon Jesuset, Muntanyes del Canigó, Sa ximbomba, La filadora, Paràfrasi del Cant dels segadors, Tricorde, Paràfrasi del preludi núm. 10 de Chopin, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Cant de joia, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, 979-0-69232-838-4, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, Exercici núm. 5 a tres veus, Exercici núm. 6 a tres veus, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, Exercici núm. 11 a tres veus, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Exercici núm. 9 a dos veus, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, Exercici núm. 16 a dos veus, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 23 a dos veus, Exercici núm. 24 a dos veus, Exercici núm. 25 a dos veus, Exercici núm. 26 a dos veus, Exercici núm. 27 a dos veus, Exercici núm. 28 a dos veus, Exercici núm. 29 a dos veus, Exercici núm. 30 a dos veus, Exercici núm. 31 a dos veus, Exercici núm. 32 a dos veus, Exercici núm. 33 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, El bell estel, Els tres tambors, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, Exercici núm. 11 a tres veus, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 14 a tres veus, Exercici núm. 15 a tres veus, Exercici núm. 16 a tres veus, Mozartiana, Exercici núm. 18 a tres veus, Exercici núm. 19 a tres veus, Exercici núm. 20 a tres veus, Exercici núm. 21 a tres veus, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Exercici núm. 9 a dos veus, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, Exercici núm. 16 a dos veus, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 23 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, Exercici núm. 5 a tres veus, Siciliana a tres veus, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, El noi de la mare, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 14 a tres veus, Bell estel, Bachiana, Exercici núm. 17 a tres veus, El crit del pellaire sardana for piano, El crit del pellaire sardana for cobla, The Essential Elements of Music, Quin dia avui!, Tota ella és una flor molt delicada, Amb la dolça i tranquil·la criatura, Avui he vist..., Tot l’estiu l’he enyorada…, Diades d'amor, Le Cimetière Marin, Le Cimietère Marin (PB), Missa in Epiphania Domini, Missa in Epiphania Domini (PB), La vaca cega, Paleàpolis, Ho sap tothom, i és profecia (voices and piano reduction), Cançons per a veu i piano - INTEGRAL, 1. Diades d'amor, 2. Haidé: Quan me desvetllo a la nit, 3. Vistes al mar, 4. Altres vistes al mar, 5. Vuit melodies sobre Maragall, 6. Quatre melodies sobre Tomàs Garcés, 7. Quatre cançons de bressol catalanes, 8. Quatre cançons de bressol catalanes (per a veu i conjunt instrumental), 9. Vuit cançons de Nadal, 10. Sis melodies, 11. Sis melodies de joventut, 12. Quatre mélodies françaises, 13. Tres melodies sobre Diego Sabiote, 14. Cinc vocalitzacions sobre J. S. Bach, 15. Comença la tardor",
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	Today, with more than twenty years of constant work, the publishing company devotes itself to promoting the publication of several books and materials destined to musical education in all its fields: music schools and conservatories, school in all its levels and university.<br />
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	DINSIC Publicacions Musicals is delighted to announce it already accepts PayPal as an on-line payment method, alongside Visa, Mastercard and other credit cards or other traditional payment methods as COD or shipping service.<br />
	<br />
	For those who don&rsquo;t know PayPal, this system is one of the most efficient ways to make and receive international and &ndash; of course - national payments.<br />
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	"orff_percussion" => "Orff Percussion",
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	"stringed_instruments" => "Stringed Instruments",
	"stringed_instruments_violins" => "Stringed Instruments: Violins",
	"ukelele" => "Ukelele",
	"un_piched_percussion" => "Un-piched Percussion",
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	"wind_instruments_to_determine" => "Wind instruments to determine "
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<br/>	He was born in Barcelona, on January 22, 1933. His first music studies were under the&nbsp;supervision of Joan Massi&agrave; (piano with Maria Carbonell), Joan Llongueres and Eduard&nbsp;Toldr&agrave;, who signed his presentation to the public in the Palau de la M&uacute;sica Catalana at&nbsp;the age of 13 as a composer and pianist. Later, he worked with Joaquim Zamacois,&nbsp;Emili Pujol and Llu&iacute;s Maria Millet. In 1949, he became a disciple of Nadia Boulanger in&nbsp;Paris, and later, of Igor Markevitch.<br />
<br/>	His extensive musical career has been defined in multiple facets:&nbsp;Composition (first prize of the National Conservatory of Paris), orchestra conductor,&nbsp;animation, divulgence and musical management and most especially, teaching. We&nbsp;also cannot forget his role in the service of the Catalan culture through the Agrupaci&oacute;&nbsp;Dram&agrave;tica of Barcelona, as a secretary of the &Ograve;mnium Cultural of Paris, producer of the&nbsp;Paris broadcasts, home of the Catalan culture (Paris, hotbed of the Catalan culture) of&nbsp;the French radio broadcasting and, lastly, as president of the Casal de Catalunya in&nbsp;Paris.&nbsp;Narc&iacute;s Bonet was awarded different prizes of composition (Copley Foundation of&nbsp;Chicago, March Foundations, Prince Rainier III of Monaco) and he received a large&nbsp;number of orders (America-Spain Festival, RTVE, Dotaci&oacute; d&amp;#39;Art Castellblanch,&nbsp;Ensemble Moderne of Paris, Seville and Granada Festivals, Chopin Festival of Paris,&nbsp;etc.).</div>
<br/><div>
<br/>	<br />
<br/>	The positions he held include, but are not limited to: the president of the Joventuts&nbsp;Musicals de Barcelona (Musical Youth Groups of Barcelona, member of the Bureau and&nbsp;president of the Federaci&oacute; Internacional de Joventuts Musicals (International Federation&nbsp;of Musical Youth Groups, representative of the International Music Counsel of the&nbsp;UNESCO, producer of the musical programs of the French Radio broadcasts in the&nbsp;Spanish language, technical secretary of the Orquesta y Coros (Orchestra and Choirs)&nbsp;of RTVE, musical counselor of the Dotaci&oacute;n de Arte of Castellblanch, jury member of&nbsp;piano and composition international contests.&nbsp;Starting in 1971, he developed a great pedagogic activity in different schools: the&nbsp;Municipal Conservatory of Paris, the National Music School of Cr&eacute;teil, the Normal Music&nbsp;School of Paris (where he became adjunct director) and the American Conservatory of&nbsp;Fontainebleau (where he took the place of Nadia Boulanger in Direction).<br />
<br/>	<br />
<br/>	He was author of a Tractat de Solfeig (Solmization Treatise) and collaborated with Igor&nbsp;Markevitch in the encyclopedic edition of the nine Symphonies by Beethoven (Van de&nbsp;Velde Editions).&nbsp;He was a member of the Consell Musical (Musical Council) of the Prince Pierre of&nbsp;Monaco Foundation, Commandeur dans l&amp;#39;Ordre du M&eacute;rite Culturel and Commandeur&nbsp;de l&#39;Ordre de Saint-Charles of Monaco, member of the Nadia and Lili Boulanger&nbsp; International Council Foundation, director of the Normal Music School Association of&nbsp;Paris (where he also practiced his pedagogic activities) and also director of the Schola&nbsp;Cantorum of Paris. Member of the Academia Catalana de Belles Arts de Sant Jordi, the<br />
<br/>	Catalan Government awarded him the Creu de Sant Jordi.</div>
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$title_section	=	"Works by<br/>Narcís Bonet "
$description	=	"Works byNarcís Bonet   	He was born in Barcelona, on January 22, 1933. His first music studies were under the&nbsp;supervision of Joan Massi&agrave; (piano with Maria Carbonell), Joan Llongueres and Eduard&nbsp;Toldr&agrave;, who signed his presentation to the public in the Palau de la M&uacute;sica Catalana at&nbsp;the age of 13 as a composer and pianist. Later, he worked with Joaquim Zamacois,&nbsp;Emili Pujol and Llu&iacute;s Maria Millet. In 1949, he became a disciple of Nadia Boulanger in&nbsp;Paris, and later, of Igor Markevitch. 	His extensive musical career has been defined in multiple facets:&nbsp;Composition (first prize of the National Conservatory of Paris), orchestra conductor,&nbsp;animation, divulgence and musical management and most especially, teaching. We&nbsp;also cannot forget his role in the service of the Catalan culture through the Agrupaci&oacute;&nbsp;Dram&agrave;tica of Barcelona, as a secretary of the &Ograve;mnium Cultural of Paris, producer of the&nbsp;Paris broadcasts, home of the Catalan culture (Paris, hotbed of the Catalan culture) of&nbsp;the French radio broadcasting and, lastly, as president of the Casal de Catalunya in&nbsp;Paris.&nbsp;Narc&iacute;s Bonet was awarded different prizes of composition (Copley Foundation of&nbsp;Chicago, March Foundations, Prince Rainier III of Monaco) and he received a large&nbsp;number of orders (America-Spain Festival, RTVE, Dotaci&oacute; d&amp;#39;Art Castellblanch,&nbsp;Ensemble Moderne of Paris, Seville and Granada Festivals, Chopin Festival of Paris,&nbsp;etc.).  	 	The positions he held include, but are not limited to: the president of the Joventuts&nbsp;Musicals de Barcelona (Musical Youth Groups of Barcelona, member of the Bureau and&nbsp;president of the Federaci&oacute; Internacional de Joventuts Musicals (International Federation&nbsp;of Musical Youth Groups, representative of the International Music Counsel of the&nbsp;UNESCO, producer of the musical programs of the French Radio broadcasts in the&nbsp;Spanish language, technical secretary of the Orquesta y Coros (Orchestra and Choirs)&nbsp;of RTVE, musical counselor of the Dotaci&oacute;n de Arte of Castellblanch, jury member of&nbsp;piano and composition international contests.&nbsp;Starting in 1971, he developed a great pedagogic activity in different schools: the&nbsp;Municipal Conservatory of Paris, the National Music School of Cr&eacute;teil, the Normal Music&nbsp;School of Paris (where he became adjunct director) and the American Conservatory of&nbsp;Fontainebleau (where he took the place of Nadia Boulanger in Direction). 	 	He was author of a Tractat de Solfeig (Solmization Treatise) and collaborated with Igor&nbsp;Markevitch in the encyclopedic edition of the nine Symphonies by Beethoven (Van de&nbsp;Velde Editions).&nbsp;He was a member of the Consell Musical (Musical Council) of the Prince Pierre of&nbsp;Monaco Foundation, Commandeur dans l&amp;#39;Ordre du M&eacute;rite Culturel and Commandeur&nbsp;de l&#39;Ordre de Saint-Charles of Monaco, member of the Nadia and Lili Boulanger&nbsp; International Council Foundation, director of the Normal Music School Association of&nbsp;Paris (where he also practiced his pedagogic activities) and also director of the Schola&nbsp;Cantorum of Paris. Member of the Academia Catalana de Belles Arts de Sant Jordi, the 	Catalan Government awarded him the Creu de Sant Jordi."
$keywords	=	"2-3 Voices 1, 2-3 Voices 2, 2-3 Voices 3, I. A collection of given basses and melodies, I. Recueil de basses et chants donnés, I. Recull de baixos i cants donats, I. Colección de bajos y cantos dados, Tractat de Solfeig: els elements essencials de la música, Tractat de solfeig: exercicis 1, Tractat de solfeig: exercicis 2, Les éléments essentiels de la musique, Els principis Fonamentals de l'Harmonia, Les principes fondamentaux de l'harmonie, Los principios fundamentales de la armonía, The Fundamental Principles of Harmony, II. A collection of figured bass lines, II. Recueil de basses chiffrées, II. Recull de baixos xifrats, II. Recopilación de bajos cifrados, Da Camera 2: 11 pieces for clarinets (in B flat) and flutes, Da Camera 3, Faraway Dances, Ho sap tothom i és profecia (MO), Ho sap tothom i és profecia (PB), Diades d'amor, Ten catalan folk songs, Ho sap tothom i és profecia (Vocal score), Faraway Dances, Ho sap tothom i és profecia (Vocal score), La Tramuntana, Ten catalan folk songs, Preludi i dansa, Three preludes in homage to Chopin, Three preludes in homage to Chopin, He mirat aquesta terra (I looked upon this land), Tríptic de Sinera (PB), Ho sap tothom i és profecia (versió completa) (MO), Ho sap tothom i és profecia (versió completa) (PB), Tríptic de Sinera (MO), Miserere, La pell de brau, per a conjunt instrumental i recitador, La pell de brau, Miserere (MO), El pobre alegre (deu cançons populars catalanes), Cançó de bressol de la Verge, La balada del bes, Paràfrasi sobre "Liebesträume" de Liszt, Da Camera 2, Da Camera 3, En aquell temps, El pobre alegre, L’Escrivaneta, L’enemic de les dones, Quatre mil anys hi havia, Alabem primerament, El bon Jesuset, Muntanyes del Canigó, Sa ximbomba, La filadora, Paràfrasi del Cant dels segadors, Tricorde, Paràfrasi del preludi núm. 10 de Chopin, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Cant de joia, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, 979-0-69232-838-4, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, Exercici núm. 5 a tres veus, Exercici núm. 6 a tres veus, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, Exercici núm. 11 a tres veus, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Exercici núm. 9 a dos veus, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, Exercici núm. 16 a dos veus, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 23 a dos veus, Exercici núm. 24 a dos veus, Exercici núm. 25 a dos veus, Exercici núm. 26 a dos veus, Exercici núm. 27 a dos veus, Exercici núm. 28 a dos veus, Exercici núm. 29 a dos veus, Exercici núm. 30 a dos veus, Exercici núm. 31 a dos veus, Exercici núm. 32 a dos veus, Exercici núm. 33 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, El bell estel, Els tres tambors, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, Exercici núm. 11 a tres veus, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 14 a tres veus, Exercici núm. 15 a tres veus, Exercici núm. 16 a tres veus, Mozartiana, Exercici núm. 18 a tres veus, Exercici núm. 19 a tres veus, Exercici núm. 20 a tres veus, Exercici núm. 21 a tres veus, Exercici núm. 1 a dos veus, Exercici núm. 2 a dos veus, Exercici núm. 3 a dos veus, Exercici núm. 4 a dos veus, Exercici núm. 5 a dos veus, Exercici núm. 6 a dos veus, Exercici núm. 7 a dos veus, Exercici núm. 8 a dos veus, Exercici núm. 9 a dos veus, Exercici núm. 10 a dos veus, Exercici núm. 11 a dos veus, Exercici núm. 12 a dos veus, Exercici núm. 13 a dos veus, Exercici núm. 14 a dos veus, Exercici núm. 15 a dos veus, Exercici núm. 16 a dos veus, Exercici núm. 17 a dos veus, Exercici núm. 18 a dos veus, Exercici núm. 19 a dos veus, Exercici núm. 20 a dos veus, Exercici núm. 21 a dos veus, Exercici núm. 22 a dos veus, Exercici núm. 23 a dos veus, Exercici núm. 1 a tres veus, Exercici núm. 2 a tres veus, Exercici núm. 3 a tres veus, Exercici núm. 4 a tres veus, Exercici núm. 5 a tres veus, Siciliana a tres veus, Exercici núm. 7 a tres veus, Exercici núm. 8 a tres veus, Exercici núm. 9 a tres veus, Exercici núm. 10 a tres veus, El noi de la mare, Exercici núm. 12 a tres veus, Exercici núm. 13 a tres veus, Exercici núm. 14 a tres veus, Bell estel, Bachiana, Exercici núm. 17 a tres veus, El crit del pellaire sardana for piano, El crit del pellaire sardana for cobla, The Essential Elements of Music, Quin dia avui!, Tota ella és una flor molt delicada, Amb la dolça i tranquil·la criatura, Avui he vist..., Tot l’estiu l’he enyorada…, Diades d'amor, Le Cimetière Marin, Le Cimietère Marin (PB), Missa in Epiphania Domini, Missa in Epiphania Domini (PB), La vaca cega, Paleàpolis, Ho sap tothom, i és profecia (voices and piano reduction), Cançons per a veu i piano - INTEGRAL, 1. 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AjaxHelper::$base = ""
AjaxHelper::$webroot = "/"
AjaxHelper::$themeWeb = NULL
AjaxHelper::$here = "/en/autor/narcis_bonet"
AjaxHelper::$params = array
AjaxHelper::$action = "display"
AjaxHelper::$plugin = NULL
AjaxHelper::$data = NULL
AjaxHelper::$namedArgs = NULL
AjaxHelper::$argSeparator = NULL
AjaxHelper::$validationErrors = NULL
AjaxHelper::$tags = array
AjaxHelper::$__tainted = NULL
AjaxHelper::$__cleaned = NULL
AjaxHelper::$_log = NULL
AjaxHelper::$Form = FormHelper object
$i	=	0
$cat	=	array(
	"Category" => array(
	"id" => "78",
	"url" => "scores",
	"name" => "Scores",
	"parent_id" => null,
	"descripcio" => "<div>
	Our products are organized into the seven general categories below. Each of these areas are divided according either to educational level, difficulty or type of ensemble.</div>
",
	"order" => "7",
	"lft" => "1",
	"rght" => "8",
	"published" => "1",
	"locale" => "en_gb"
),
	"Categories" => array(
	array(),
	array(),
	array()
)
)
$subcat	=	array(
	"Category" => array(
	"id" => "89",
	"url" => "intermediate",
	"name" => "Intermediate",
	"parent_id" => "78",
	"descripcio" => "",
	"order" => "1",
	"lft" => "4",
	"rght" => "5",
	"published" => "1",
	"locale" => "en_gb"
)
)

                                    <?php echo $form->input('five_level',array('id'=>'instruments_level2','div'=>false,'label'=>false,'type'=>'select','options'=>$five_level_set,'selected'=>$instrument_level_set_selected)); ?>

                                <?php else: ?>

                                    <?php echo $form->input('five_level',array('id'=>'instruments_level2','div'=>false,'label'=>false,'type'=>'select','options'=>$five_level_set)); ?>

include - APP/views/elements/lateral.ctp, line 145
View::_render() - CORE/cake/libs/view/view.php, line 665
View::element() - CORE/cake/libs/view/view.php, line 342
include - APP/views/layouts/default.ctp, line 493
View::_render() - CORE/cake/libs/view/view.php, line 665
View::renderLayout() - CORE/cake/libs/view/view.php, line 453
View::render() - CORE/cake/libs/view/view.php, line 387
Controller::render() - CORE/cake/libs/controller/controller.php, line 805
AutorsController::display() - APP/controllers/autors_controller.php, line 565
Object::dispatchMethod() - CORE/cake/libs/object.php, line 119
Dispatcher::_invoke() - CORE/cake/dispatcher.php, line 225
Dispatcher::dispatch() - CORE/cake/dispatcher.php, line 192
[main] - APP/webroot/index.php, line 88

DIFFICULTY LEVEL:

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DINSIC Publicacions Musicals, S.L.
Warehouse: Sepúlveda, 84 - 08015 Barcelona (Calàbria / Metro L1 Rocafort)
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Narcís Bonet

15. Comença la tardor

14. Cinc vocalitzacions sobre J. S. Bach

13. Tres melodies sobre Diego Sabiote

12. Quatre mélodies françaises

11. Sis melodies de joventut

10. Sis melodies

9. Vuit cançons de Nadal

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