Dinsic > Authors > Juli Sandaran Sambeat

Works by
Juli Sandaran Sambeat

Barcelona (1914-1995), pianist and composer. He studied piano with Pere Vallibera and composing with Antoni Massana, pupil of Enric Morera and Enric Granados, and Cristòfor Taltabull, pupil of Max Reger. A. Massana passed on to him a liking for Catalan folk music, as well as for Wagner and Debussy. And Taltabull transmitted hi a liking for Brahms and Hindemith.

After finishing his studies, Juli Sandaran Sambeat became interested in jazz and improvisation following the models of those days. He became one of the importers of this genre in Catalunya, leading orchestras, quartets and trios in several pubs of Barcelona. From the sixties onward, he was one of the principle pianists of the Barcelona Jamboree Jazz Club, where he took turns with the Tete Montoliu Trio amongst others. One of the characteristics of his personality was his fight for the equal treatment of jazz and the so-called classical music. The most important thing to him was that it was good music. He took part in the first jazz festival of Barcelona (1966) and played with prominent jazz musicians such as Emil Beckman, Lou Bennett, Bill Coleman and Stephane Grappelli.

He also participated actively in the trend called Nova Cançó. He cultivated very different genres that range from songs (voice and piano), harmonisations and arrangements of folksongs, chamber music for different formations (duos, trios, quartets) religious music, sardanas and music for theatre and television.

Especially outstanding is his “Suite for twelve violoncellos”, which was interpreted and conducted by the cellist Lluís Claret. Furthermore, an oratorio for choir, organ and string quartet or little orchestra, six sardanas, the musical comedy “El Roig I el Blau” with texts by Joan Oliver (Pere Quart), the music to some of the characters of Joan Oliver’s “Bestiari”, the play “El brunzir de les abelles” by Rodolf Sirera and several pieces for the Catalan TV production of TV2 “Terra d’escudella” (1978) are to be pointed out.

His music shows a clear influence of Catalan music, expressed in beautiful melodies, and of jazz, expressed in its harmonic structure. You may consult “El jazz a Catalunya”, Edicions 62, Barcelona (1985), by Alfredo Pappio, and “Jazz en Barcelona 1920-1965”, Editorial Almendra Music (2005), by Jordi Pujol Baulenas.

See CV >>

Stabat Mater

Format:

Score

Author:

Juli Sandaran Sambeat

Collection:

Choral & Vocal Worsk by Juli Sandaran Nr. 1

156.00 € VAT included

Repòs for clarinet and piano

Format:

Score

Author:

Juli Sandaran Sambeat

Collection:

Cambra de Juli Sandaran Nr. 1

9.90 € VAT included

Repòs for flute and piano

Format:

Score

Author:

Juli Sandaran Sambeat

Collection:

Cambra de Juli Sandaran Nr. 2

9.90 € VAT included

Repòs for violin and piano

Format:

Score

Author:

Juli Sandaran Sambeat

Collection:

Cambra de Juli Sandaran Nr. 3

9.90 € VAT included

Repòs for cello and piano

Format:

Score

Author:

Juli Sandaran Sambeat

Collection:

Cambra de Juli Sandaran Nr. 4

9.90 € VAT included

Quatre peces per a quartet de corda

Format:

Score

Author:

Juli Sandaran Sambeat

Collection:

Chamber Music Nr. 6

20.54 € VAT included

Sonatina per a trio de corda

Format:

Score

Author:

Juli Sandaran Sambeat

Collection:

Chamber Music Nr. 7

20.54 € VAT included

1 2 Next >> Last >>

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<br/>	Barcelona (1914-1995), pianist and composer. He studied piano with Pere Vallibera and composing with Antoni Massana, pupil of Enric Morera and Enric Granados, and Crist&ograve;for Taltabull, pupil of Max Reger. A. Massana passed on to him a liking for Catalan folk music, as well as for Wagner and Debussy. And Taltabull transmitted hi a liking for Brahms and Hindemith.<br />
<br/>	After finishing his studies, Juli Sandaran Sambeat became interested in jazz and improvisation following the models of those days. He became one of the importers of this genre in Catalunya, leading orchestras, quartets and trios in several pubs of Barcelona. From the sixties onward, he was one of the principle pianists of the Barcelona Jamboree Jazz Club, where he took turns with the Tete Montoliu Trio amongst others. One of the characteristics of his personality was his fight for the equal treatment of jazz and the so-called classical music. The most important thing to him was that it was good music. He took part in the first jazz festival of Barcelona (1966) and played with prominent jazz musicians such as Emil Beckman, Lou Bennett, Bill Coleman and Stephane Grappelli.<br />
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<br/>	Barcelona (1914-1995), pianist and composer. He studied piano with Pere Vallibera and composing with Antoni Massana, pupil of Enric Morera and Enric Granados, and Crist&ograve;for Taltabull, pupil of Max Reger. A. Massana passed on to him a liking for Catalan folk music, as well as for Wagner and Debussy. And Taltabull transmitted hi a liking for Brahms and Hindemith.<br />
<br/>	After finishing his studies, Juli Sandaran Sambeat became interested in jazz and improvisation following the models of those days. He became one of the importers of this genre in Catalunya, leading orchestras, quartets and trios in several pubs of Barcelona. From the sixties onward, he was one of the principle pianists of the Barcelona Jamboree Jazz Club, where he took turns with the Tete Montoliu Trio amongst others. One of the characteristics of his personality was his fight for the equal treatment of jazz and the so-called classical music. The most important thing to him was that it was good music. He took part in the first jazz festival of Barcelona (1966) and played with prominent jazz musicians such as Emil Beckman, Lou Bennett, Bill Coleman and Stephane Grappelli.<br />
<br/>	He also participated actively in the trend called Nova Can&ccedil;&oacute;. He cultivated very different genres that range from songs (voice and piano), harmonisations and arrangements of folksongs, chamber music for different formations (duos, trios, quartets) religious music, sardanas and music for theatre and television.<br />
<br/>	Especially outstanding is his &ldquo;Suite for twelve violoncellos&rdquo;, which was interpreted and conducted by the cellist Llu&iacute;s Claret. Furthermore, an oratorio for choir, organ and string quartet or little orchestra, six sardanas, the musical comedy &ldquo;El Roig I el Blau&rdquo; with texts by Joan Oliver (Pere Quart), the music to some of the characters of Joan Oliver&rsquo;s &ldquo;Bestiari&rdquo;, the play &ldquo;El brunzir de les abelles&rdquo; by Rodolf Sirera and several pieces for the Catalan TV production of TV2 &ldquo;Terra d&rsquo;escudella&rdquo; (1978) are to be pointed out.<br />
<br/>	His music shows a clear influence of Catalan music, expressed in beautiful melodies, and of jazz, expressed in its harmonic structure. You may consult &ldquo;El jazz a Catalunya&rdquo;, Edicions 62, Barcelona (1985), by Alfredo Pappio, and &ldquo;Jazz en Barcelona 1920-1965&rdquo;, Editorial Almendra Music (2005), by Jordi Pujol Baulenas.</div>
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$title_section	=	"Works by<br/>Juli Sandaran Sambeat"
$description	=	"Works byJuli Sandaran Sambeat  	Barcelona (1914-1995), pianist and composer. He studied piano with Pere Vallibera and composing with Antoni Massana, pupil of Enric Morera and Enric Granados, and Crist&ograve;for Taltabull, pupil of Max Reger. A. Massana passed on to him a liking for Catalan folk music, as well as for Wagner and Debussy. And Taltabull transmitted hi a liking for Brahms and Hindemith. 	After finishing his studies, Juli Sandaran Sambeat became interested in jazz and improvisation following the models of those days. He became one of the importers of this genre in Catalunya, leading orchestras, quartets and trios in several pubs of Barcelona. From the sixties onward, he was one of the principle pianists of the Barcelona Jamboree Jazz Club, where he took turns with the Tete Montoliu Trio amongst others. One of the characteristics of his personality was his fight for the equal treatment of jazz and the so-called classical music. The most important thing to him was that it was good music. He took part in the first jazz festival of Barcelona (1966) and played with prominent jazz musicians such as Emil Beckman, Lou Bennett, Bill Coleman and Stephane Grappelli. 	He also participated actively in the trend called Nova Can&ccedil;&oacute;. He cultivated very different genres that range from songs (voice and piano), harmonisations and arrangements of folksongs, chamber music for different formations (duos, trios, quartets) religious music, sardanas and music for theatre and television. 	Especially outstanding is his &ldquo;Suite for twelve violoncellos&rdquo;, which was interpreted and conducted by the cellist Llu&iacute;s Claret. Furthermore, an oratorio for choir, organ and string quartet or little orchestra, six sardanas, the musical comedy &ldquo;El Roig I el Blau&rdquo; with texts by Joan Oliver (Pere Quart), the music to some of the characters of Joan Oliver&rsquo;s &ldquo;Bestiari&rdquo;, the play &ldquo;El brunzir de les abelles&rdquo; by Rodolf Sirera and several pieces for the Catalan TV production of TV2 &ldquo;Terra d&rsquo;escudella&rdquo; (1978) are to be pointed out. 	His music shows a clear influence of Catalan music, expressed in beautiful melodies, and of jazz, expressed in its harmonic structure. You may consult &ldquo;El jazz a Catalunya&rdquo;, Edicions 62, Barcelona (1985), by Alfredo Pappio, and &ldquo;Jazz en Barcelona 1920-1965&rdquo;, Editorial Almendra Music (2005), by Jordi Pujol Baulenas."
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$paginator	=	PaginatorHelper
PaginatorHelper::$helpers = array
PaginatorHelper::$__defaultModel = "Publicacion"
PaginatorHelper::$options = array
PaginatorHelper::$base = ""
PaginatorHelper::$webroot = "/"
PaginatorHelper::$themeWeb = NULL
PaginatorHelper::$here = "/en/autor/juli_sandaran_sambeat"
PaginatorHelper::$params = array
PaginatorHelper::$action = "display"
PaginatorHelper::$plugin = NULL
PaginatorHelper::$data = NULL
PaginatorHelper::$namedArgs = NULL
PaginatorHelper::$argSeparator = NULL
PaginatorHelper::$validationErrors = NULL
PaginatorHelper::$tags = array
PaginatorHelper::$__tainted = NULL
PaginatorHelper::$__cleaned = NULL
PaginatorHelper::$_log = NULL
PaginatorHelper::$Html = HtmlHelper object
PaginatorHelper::$Ajax = AjaxHelper object
$ajax	=	AjaxHelper
AjaxHelper::$helpers = array
AjaxHelper::$Html = HtmlHelper object
AjaxHelper::$Javascript = JavascriptHelper object
AjaxHelper::$callbacks = array
AjaxHelper::$ajaxOptions = array
AjaxHelper::$dragOptions = array
AjaxHelper::$dropOptions = array
AjaxHelper::$sortOptions = array
AjaxHelper::$sliderOptions = array
AjaxHelper::$editorOptions = array
AjaxHelper::$autoCompleteOptions = array
AjaxHelper::$__ajaxBuffer = array
AjaxHelper::$base = ""
AjaxHelper::$webroot = "/"
AjaxHelper::$themeWeb = NULL
AjaxHelper::$here = "/en/autor/juli_sandaran_sambeat"
AjaxHelper::$params = array
AjaxHelper::$action = "display"
AjaxHelper::$plugin = NULL
AjaxHelper::$data = NULL
AjaxHelper::$namedArgs = NULL
AjaxHelper::$argSeparator = NULL
AjaxHelper::$validationErrors = NULL
AjaxHelper::$tags = array
AjaxHelper::$__tainted = NULL
AjaxHelper::$__cleaned = NULL
AjaxHelper::$_log = NULL
AjaxHelper::$Form = FormHelper object
$i	=	0
$cat	=	array(
	"Category" => array(
	"id" => "78",
	"url" => "scores",
	"name" => "Scores",
	"parent_id" => null,
	"descripcio" => "<div>
	Our products are organized into the seven general categories below. Each of these areas are divided according either to educational level, difficulty or type of ensemble.</div>
",
	"order" => "7",
	"lft" => "1",
	"rght" => "8",
	"published" => "1",
	"locale" => "en_gb"
),
	"Categories" => array(
	array(),
	array(),
	array()
)
)
$subcat	=	array(
	"Category" => array(
	"id" => "89",
	"url" => "intermediate",
	"name" => "Intermediate",
	"parent_id" => "78",
	"descripcio" => "",
	"order" => "1",
	"lft" => "4",
	"rght" => "5",
	"published" => "1",
	"locale" => "en_gb"
)
)

                                    <?php echo $form->input('five_level',array('id'=>'instruments_level2','div'=>false,'label'=>false,'type'=>'select','options'=>$five_level_set,'selected'=>$instrument_level_set_selected)); ?>

                                <?php else: ?>

                                    <?php echo $form->input('five_level',array('id'=>'instruments_level2','div'=>false,'label'=>false,'type'=>'select','options'=>$five_level_set)); ?>

include - APP/views/elements/lateral.ctp, line 145
View::_render() - CORE/cake/libs/view/view.php, line 665
View::element() - CORE/cake/libs/view/view.php, line 342
include - APP/views/layouts/default.ctp, line 493
View::_render() - CORE/cake/libs/view/view.php, line 665
View::renderLayout() - CORE/cake/libs/view/view.php, line 453
View::render() - CORE/cake/libs/view/view.php, line 387
Controller::render() - CORE/cake/libs/controller/controller.php, line 805
AutorsController::display() - APP/controllers/autors_controller.php, line 565
Object::dispatchMethod() - CORE/cake/libs/object.php, line 119
Dispatcher::_invoke() - CORE/cake/dispatcher.php, line 225
Dispatcher::dispatch() - CORE/cake/dispatcher.php, line 192
[main] - APP/webroot/index.php, line 88

DIFFICULTY LEVEL:

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Juli Sandaran Sambeat

Stabat Mater

Repòs for clarinet and piano

Repòs for flute and piano

Repòs for violin and piano

Repòs for cello and piano

Quatre peces per a quartet de corda

Sonatina per a trio de corda

Scores

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